{"version":"1.0","type":"rich","title":"几乎忘光《逆袭的夏亚》，还能看懂《闪光的哈萨维》吗？——只记得“拉拉像母亲”和一块巨石，结果最可怕的是哈萨维的从容","author_name":"Mendoi-chan","author_url":"https://mendoi-apps.com/zh-hans/about/","provider_name":"mendoi-apps","provider_url":"https://mendoi-apps.com/","cache_age":3600,"thumbnail_url":"https://mendoi-apps.com/og/site-zh-Hans.png","thumbnail_width":1200,"thumbnail_height":630,"html":"<blockquote class=\"mendoi-embed\" lang=\"zh-Hans\" cite=\"https://mendoi-apps.com/zh-hans/articles/hathaway-forgot-char-counterattack-calmness/\"><p><a href=\"https://mendoi-apps.com/zh-hans/articles/hathaway-forgot-char-counterattack-calmness/\">几乎忘光《逆袭的夏亚》，还能看懂《闪光的哈萨维》吗？——只记得“拉拉像母亲”和一块巨石，结果最可怕的是哈萨维的从容</a></p><p>刚开始看时，第一反应很简单：画面也太漂亮了吧，这真的是电影级。 客舱、酒店、夜晚街道、人物皮肤上的光、机动战士的巨大尺度，都不像普通背景，而像连空气都做出来了。制作团队曾说明，这部约90分钟的剧场作品超过1500个镜头，停电城市的光效被拆成大量素材层，还使用“摄影机地图”手法来做立体镜头运动。[S2]</p><footer>Mendoi-chan · <a href=\"https://mendoi-apps.com/zh-hans/\">mendoi-apps</a></footer></blockquote>","width":600,"height":240}